- Review Price: £235.75
The SyncMaster 226cw is one of those monitors whose high price makes it immediately obvious that this is not another run-of-the-mill addition to the already overcrowded 1,680 x 1,050 22in market. You see, the relentless race for the fastest LCD millisecond response times seems to have stabilised at 2ms (a figure the 226cw sports too), and now there’s a new horizon that seems to have captured the popular imagination, and thus manufacturers’ budgets: wide colour gamut.
Wide colour gamut is by no means a new technology, being present well before the HC upgrade to Dell’s 2407WFP pushed it more into the mainstream. Unfortunately, most manufacturers quote their figures in the NTSC gamut, which is far less extensive than the AdobeRGB colour space. But anything’s better than nothing, and wide colour gamut monitors are slowly making their way into the enthusiast entertainment section of 22in monitors, claiming a better experience for gaming, movies and casual photo-editing.
Wide colour gamut is no longer limited to the more expensive IPS and PVA panel technologies, and is filtering down to TN. We saw a rather impressive example of this with the professional-orientated ViewSonic VP2250wb, which covered 102 per cent of the NTSC space. While the monitor we have before us today does not boast quite as high a figure, at ‘only’ 97 per cent, let’s hope it still manages some of the improvements over traditional TN the ViewSonic has led us to expect.
Unusually for Samsung, the quick guide to attaching the stand is definitely not the best, as poor print quality makes some of the black and white images difficult to distinguish. It’s a good thing that it’s so easy to set up then. Samsung has (sensibly) dropped its hideous ‘ball-and-socket’ system we saw on its SyncMaster Pebble range, and in this particular case all one needs to do is clip the base in and tighten a screw (which can be done by hand, no tools required). Thankfully, the company has not given up on its policy to include a soft cleaning cloth.
But any joy at these positives is immediately tempered when we come to the included video cables, of which there are exactly one: analogue VGA. Many words spring to mind, most of them NSFW. The most pressing one is ‘why?’. Why make the consumer have to go and purchase an extra cable? More importantly, why cripple your monitor’s quality out of the box? We have seen another example of this recently with BenQ’s V2400W, but that was more forgivable as the BenQ was not a wide colour gamut screen and favoured looks over image quality.
Though if looks were all we had to go by, Samsung would already be onto a winner with its 226cw, as this really is a gorgeous screen. The bezel and edges of the monitor are all mirror-finish piano black, apart from a white-silver inset along the bottom edge. The only visual spoilers are the usual Samsung logo in white, the model number on the top-left corner, and two fairly modest stickers. The power button is a striking metal affair with a subtle blue glow illuminating it from the bottom, while the stand is a pleasing mixture of matte and glossy plastic, and the back consists of a single, textured black curve.
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