- Page 1 Philips Fidelio DS9
- Page 2 Sound Quality, Value and Verdict
Although the Philips Fidelio DS9 has a one-box design, the selection of drivers mirrors a conventional hi-fi setup setup. There are two woofer 8.9cm woofer drivers and a pair of 18mm tweeters – slightly smaller in scale than the 10cm and 25mm units of the DS9000 and DS9010. The slightly curved design splays the trajectory of their output too, to widen the stereo image – achieving a good stereo effect is traditionally a problem that afflicts most one-box iPod docks.
We expected pretty good performance given the pedigree of the Fidelio series, the DS9’s size and price tag, and the dock doesn’t disappoint. It produces a rich, full, room-filling sound that marries great top-end detail with bass that’s powerful but fairly well-behaved for a set like this. There’s no booming bottom-end, unlike the Orbitsound T12, but the dock still creates enough of a rumble to render kick drum thuds with a ferocity that’ll shock the neighbours into complaining should you get near the half-way volume mark.
This is partly down to the size of the DS9. There’s a 3.5l volume cavity reserved for each bass driver, inside which those bass frequencies are brewed. It’s not just the driver itself that counts in sound quality – what happens to those sound waves after they’ve escaped matters too. Philips has tuned this dock very well, but we’d have appreciated some on-remote control over the bass level. There is a free iOS app available that offers a 5-band EQ, but we’d have preferred to have some proper control for all sources.
The Fidelio DS9 has the scale of its sound down perfectly – it’ll fill large lounges without a problem. What it lacks from its big brother the DS9000 and other more expensive rivals like the Arcam rCube is true high-end fidelity and resolution. It’s not far off, and can easily replace the average micro system without a drop in quality, but it misses out on the smoothness and increased resolution of the big boys. Of course, these big boys cost £100-200 more.
For all its refined looks, the Fidelio DS9 can play the party animal. It – thank god – doesn’t try to recreate dedicated subwoofer bass levels, but its sound is just fun, in a no-compromises good way. Aiming for this sound invariably ends up with a flab-tastic low-end – just as the all-too-keen party-goer ends up slumped in a corner, vomit dribbling from the side of their mouth after one too many vodka and cranberrys – but the Fidelio DS9 has aced it. It offers good times, all the time.
It’s a case of fine sound balancing, and is what makes sure that the dock doesn’t disappoint whether you’re playing rock albums or delicate concertos. This is why we’re not truly that fussed that Philips hasn’t include on-remote or on-device bass and treble controls.
The Philips Fidelio DS9 is a simple, straightforward device. It doesn’t pack-in a radio (granted, you can get internet radio through your iOS device), Airplay or much connectivity, but what it does do, it does extremely well. If you can stomach the extra cash, it’s worth considering the DS9000 instead, but make no mistake – this is an excellent iPod dock.
Aside from a handsome face the Philips Fidelio DS9 iPod dock doesn’t try to pack-in too many features other than great sound quality, but that’s fine by us. It’ll happily take on your iPod, iPhone and iPad thanks to the floating dock connector and its energetic sound fills fairly large rooms with no problem. If you can’t stomach the £400 price tag affixed to the very best iPod docks from B&W, Philips and Arcam, this is your best bet.
Score in detail
Sound Quality 9