Verdict
Pros
- VR, good control over chromatic aberrations, quiet AF
Cons
- Low resolution at 200mm, price
Key Specifications
- Review Price: £475
When this lens was first reviewed in November 2006, it was pretty much in its own niche: a long zoom with Vibration Reduction (VR) and designed specially for digital cameras. Now though, there’s more competition from the independent manufacturers.
Constructed from 16 elements in 12 groups, the lens features two Extra Low Dispersion (ED) and three aspherical elements. The VR has two modes, normal and active, with Nikon claiming four-stop effectiveness. This lens is also the fastest of the group with a maximum aperture of f/5.6 at 200mm. It’s swift to focus, based on use with a Nikon D80, and also quiet. It also has excellent build quality and a robust feel.
Image Quality
The resolution at 18mm is good, with a consistent performance peaking at f/11. At the opposite end of the zoom, results are less pleasing; while still consistent, the overall resolution is average. Where the lens scores well is in its control of chromatic aberration at 200mm, maintaining a low level of fringing across the frame. At 18mm it has good control in the centre but less so in corners.
Sample images
Verdict
A nice, quiet lens with good chromatic aberration control
Trusted Score
Score in detail
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Value 8
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Design 9
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Image Quality 8
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Features 9
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Professional conduct
We also expect our journalists to follow clear ethical standards in their work. Our staff members must strive for honesty and accuracy in everything they do. We follow the IPSO Editors’ code of practice to underpin these standards.
Editorial independence
Editorial independence means being able to give an unbiased verdict about a product or company, with the avoidance of conflicts of interest. To ensure this is possible, every member of the editorial staff follows a clear code of conduct.
Professional conduct
We also expect our journalists to follow clear ethical standards in their work. Our staff members must strive for honesty and accuracy in everything they do. We follow the IPSO Editors’ code of practice to underpin these standards.
