The TEAC SR80i is a mid-sized iPod dock. It’s not small or cheap enough to excuse anaemic bass, but its sound is still going to be limited by its size. The only real way to satisfy in this middle ground is to pack-in high quality drivers and hope for the best. It’s what the SR80i has done, and it has come up trumps.
At low volume levels, the TEAC is a bright-sounding system – a little wallflower-esque when compared directly with bigger docks like the DS9000. Like a choir singer just dying to blast out some rock ‘n’ roll though (yes we’ve watched the Sister Act movies too many times), it scales-up its sound remarkably well. High-end detail and resolution is good from the off, and sibilance-free, but once you hit the 50 percent volume mark, the bass comes into its own too. Smooth, fairly rich and well integrated, it gives the SR80i a power we honestly didn’t expect to discover on first audition.
Larger docks with larger drivers will improve on this with greater scale and presence, but for a dock of its size and price, its performance is impressive. Very unusual for a lifestyle item like this, the tone controls are useful too. The remote control lets you tweak the bass and treble levels, -4 to 4 on each, and we even found that in the party zone (volume 50-75%) the SR80i benefited from a slight bass boost. We wouldn’t need many fingers to count the number of times a relatively cheap device like this has offered useful built-in EQ.
Boost the volume up even further, beyond the 75 percent mark, and things start to fall apart. Its two-way speakers pull off a good show, but with small drivers running the show, there’s only so much volume they can produce before showing the strain. To translate this into real-world terms – if your party has less than 25 people, the SR80i will cope with ease. If you’re revelling on a whole other level, you’ll need a bigger boat.
The TEAC comes up with excellent results in one of our standard “party” tests, Simian Mobile Disco’s Sleep Deprivation, supplying enough of a meaty bass thud to get neighbours riled-up, but it’s also fab as a more restrained kitchen DAB unit. That bright sound signature lends voices excellent clarity and isn’t hungry for more volume when handling music.
We couldn’t get as good a signal with the wire aerial as we normally can with a metal telescopic one, and while we can understand TEAC’s decision not to include one – it would dilute the look – we did wish there was one occasionally. As is, you’ll have to experiment with aerial positioning a bit.
The TEAC SR80i isn’t going to eclipse bigger and more expensive rivals like the B&W Zeppelin, Philips Fidelio DS9 and TEAC’s own SR100i, but its blend of great sound and quality features is hard to beat at the price. It sounds better than Altec Lansing’s efforts and the flexibility of its connections and radio skills help it to nudge past the JBL OnBeat dock. If you like the look, this is an excellent buy.
TEAC hasn’t many laurels to rest on these days, and the extra effort this has spurred-on is evident in the SR80i Mini Aurb. Its design could do with a slight tweak or two in our opinion, but it offers loads of features and a chameleon-like sound that means it can transform from a meek kitchen-top radio to something to turn your living room into a disco with a nothing more than an elongated press of the volume button.
Its relatively petite stature and drivers means it can’t compete with the big boys on sound, but on its home turf this lesser-known contender sure knows how to play.