Panasonic Lumix DMC-G5



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  • Solid build quality
  • Improved handling over the G3
  • Impressive image quality


  • Touch-screen could still be improved
  • Launch price a bit expensive

Key Features

  • Review Price: £699.99
  • 16.05MP Live MOS MFT sensor
  • 3in, 920k-dot free-angle touchscreen
  • 1080p HD video capture
  • 6fps burst mode
  • ISO 160-12,800

Compact system cameras have been with us for around four years now, with

Panasonic kicking off the genre with its launch of the Lumix G1 back in

2008. Since then, Panasonic has expanded its range with a host of

different CSC models tailored to different segments of the market. The

current range includes the GF5 for those looking for a compact form with CSC quality; the GX1 for enthusiast-level photographers

looking for a smaller and more portable camera to complement their

DSLR; the somewhat long in the tooth GH2 for video enthusiasts; and the

year-old G3 with its clever mix of entry-level and enthusiast features.
Panasonic Lumix G5

strictly in terms of naming convention, the G5 might initially appear

to be a direct replacement for the G3, however Panasonic actually intend

it as an extension of the range. As such it’s positioned above the G3

and GF5 and is intended to tempt potential entry-level to mid-range DSLR

buyers – think Canon 650D or Nikon D3200. In addition, the new G5 also

offers enough incremental upgrades to tempt G3 and GF3 owners as well.

For those wondering why there’s no G4 in between the G3 and G5, the

simple answer is that in Japan the number four is considered unlucky.


G5 is built around an all-new 16.05MP Live MOS sensor. This is further

complemented by a redesigned Venus Engine 7 FHD image processor that’s

able to shoot at a relatively speedy 6fps while also delivering a top

sensitivity setting of ISO 12,800. If you don’t mind a drop in overall

resolution it’s also possible to shoot at a super-speedy 20fps utilising

at electronic (as opposed to mechanical) shutter. If you’re shooting in

a noise-sensitive environment (such as a wedding ceremony) then the

additional benefit of the electronic shutter option is that it can be

set to silent.

Autofocus performance has long been one of the

strong points of the Lumix G-series range and the G5 continues this

trend with Panasonic’s impressive Light Speed contrast-detect AF,

offering a generous range of AF options including Multi-area, Selective

single-point, Tracking and Face Detection. In addition the camera can

also be set to Single-shot (where focus is locked by half-pressing the

shutter release button) and Continuous (where the AF module remains

Panasonic Lumix G5 5

the back of the G5 you’ll find a 3in, 920k-dot LCD vari-angle monitor

that offers touch-screen functionality. This allows the camera to

benefit from Panasonic’s tried and tested Touch Focus and Touch Shutter

technology; the former allowing you to set a point of focus simply by

touching the relevant point on the rear screen and the latter taking

things one step further by firing the shutter once focus has been locked

on to your desired point. As with the G3 the G5’s vari-angle design

also allows it to be pulled away from the body by at least 180-degrees

as well as rotated though 270 degrees. If you’re a fan of shooting from

high of low angles, this will make things much easier. The jump to

920k-dot resolution is also a step up from the 460k-dot screen on the


Should you prefer to use the camera at eye-level then the

G5’s 1.44m-dot electronic viewfinder (EVF) is one of the better EVFs

we’ve seen on a compact system camera. It also offers a 100% field of

view along with an automatic eye-sensor that’ll automatically switch it

on when the camera is raised to your eye. Should you want you can even

set the camera up so that the autofocus will activate itself once the

eye-sensor has been triggered which can be helpful for grabbing snatched


As well as being able to shoot regular JPEGs at a range

of resolution and quality settings, the G5 can also record lossless Raw

images for enhanced post-processing. For those who’d prefer to let the

camera add its own digital effects there are a total of 14 Creative

Control effects to choose from including the usual stalwarts such as

Miniature, Cross Process and Dynamic Monochrome.
Panasonic Lumix G5 7

one of the developers of the HDTV-friendly AVCHD format, Panasonic has

built a reputation for delivering cameras with excellent video

capabilities and the G5 continues this trend. The G5 can record

high-definition AVCHD video at a top quality setting of 1080p Full HD at

either 50 or 60fps. Should you wish to shoot in the more

computer-friendly MP4 format then you can still shoot at 1080p Full HD,

albeit at a maximum frame-rate of 25 or 30fps.

In terms of design

the G5 initially looks very much like its predecessor, the main

difference being a more pronounced handgrip. In the hand this gives the

camera a more DSLR like quality than its predecessor. In addition the

shutter release button has moved forward slightly, which again makes for

a slightly more comfortable grip overall.

All new for the G5 is

the addition of a Function Lever which sits just behind the shutter

release. With it you’re able to control a number of camera operations

including exposure settings, menu navigation and operation of the image

zoom while the camera is in Playback mode. If you’ve got Panasonic’s

14-42mm power zoom attached to the camera then you can also use this

lever to control the zoom with, which is pretty neat.
Panasonic Lumix G5 3

layout on the back of the camera has seen a bit of a rejig since the G3

with most of the buttons now treated to a metal finish rather than

plastic. A useful new AF/AE lock button (which doubles up as a Function

button) has been added, alongside a dedicated Quick Menu button that’s

positioned next to the viewfinder. Our only real complaint concerns the

plastic command dial, which feels a bit cheap compared to the rest of

the camera.

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