• Decent image quality
  • 8GB Flash memory
  • Keen price


  • No independent shutter and iris control
  • Auto white balance gives variable results in low light
  • Electronic image stabilisation

Key Features

  • Review Price: £249.99
  • 1/4.85in CMOS with 3.28Mpixels
  • 20x Optical Zoom; 28x Advanced Zoom
  • AVCHD recording at up to Full HD at 24Mbits/sec
  • 50i and PF25 shooting modes
  • 8GB of Flash memory

With its own-brand lens heritage, Canon has been one of the biggest players in digital stills cameras for years. Canon camcorders have had a similar heritage in the past, but since the HF100 led the pack for technology, the company hasn’t quite managed to get a winning combination of cost and features. Price has been a particular difficulty, so it’s great to see the LEGRIA HF R26 available for £250. But this is not quite a rock-bottom budget shooter.

For a start, whilst camcorders in this price range often rely on a tiny 1/6in CMOS, the R26 offers a slightly larger 1/4.85in sensor, with 3.28Mpixels. Size does matter where a CMOS is concerned, as a larger unit means greater light sensitivity, although the R26 doesn’t further enhance this with back-side illumination technology. Video recording is exclusively in HD, at data rates ranging from 5Mbits/sec to 24Mbits/sec, the highest available for the non-2.0 version AVCHD format that the R26 uses. The top two quality modes operate at Full HD, whilst the rest switch to anamorphic 1,440 x 1,080 instead, the same as the tape-based HDV format. You can also select either 50i or Canon’s PF25 modes. The former is the standard interlaced format, whilst the latter records progressive video inside a 50i video format.


Despite being a budget camcorder, the R26 still incorporates 8GB of memory, which is a useful amount to get you started but will definitely mean upgrades will be required sooner rather than later. At the top quality setting, the camcorder only has room for around 45 minutes of footage on board. Fortunately, the R26 also offers two SDXC-compatible SD card slots. With 64GB media in each, a total of 136GB would be possible – enough for nearly 13 hours of top-quality footage.

Being a budget model, the R26 isn’t exactly brimming with features, but

it does have enough to put it above the bargain basement. There’s a

healthy 20x optical zoom, which can be boosted to 28x in Advanced mode.

This crops into the frame slightly, taking advantage of surplus pixels,

so doesn’t degrade image quality like a traditional digital zoom. Unfortunately, the image stabilisation ”is”

somewhat budget-oriented, being electronic rather than optical. It does

at least offer a Dynamic mode, which can compensate for the kinds of

motion caused by shooting when walking. But it’s not particularly

effective at smoothing out the higher-frequency vibrations in handheld

footage shot at a high zoom factor.

R26 unsurprisingly doesn’t have a lot for the enthusiast, considering

its budget orientation. There’s no accessory shoe or microphone input.

However, the AV output doubles as a headphone jack, and you can even

adjust audio levels. There’s also a fair range of settings available in

manual mode. Focus can be adjusted either using the increasingly popular

touch method, or onscreen buttons. Meanwhile white balance options offer the

usual range of automatic and manual settings, with presets for

artificial and sunlit conditions.

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