This comment is hidden because you have chosen to ignore ChaosDefinesOrder.Show DetailsHide Details
I'm still completely and utterly at a loss why music player manufacturers don't use FLAC, especially given that the first letter of the acronym is "Free"
Even if most of the customers won't use it, it costs them nothing at all to implement it! (I've had this rant before on TR, sorry for repeating myself!)
"I'm still completely and utterly at a loss why music player manufacturers don't use FLAC, especially given that the first letter of the acronym is "Free""
I've wondered that too, I can understand why Apple did it for so long, DRM'd iTunes. But now...
I'd rather there was a war against dynamic compression than a war against bitrate compression. I can't tell the difference between a 192Kbps MP3 and the original CD (so long as care an attention is given at the encoding stage). I can tell the difference between a highly dynamically compressed piece of music and one which is not. Since dynamic compression is mastered into the track, there's no fix for it.
On The Gadget Show last week they blind tested MP3 (at 320kbs bitrate),CD and vinyl using high end audio kit in a theatre. Both presenters picked MP3 as the best. CD was 2nd and vinyl 3rd. Amazing.
So this seems an answer to a problem that doesn't really exist, except perhaps in peoples minds.
Although I'm with you on the dynamic compression thing, to say you can't tell the difference between a 192Kbps mp3 and the CD does rather dilute your point. Dynamic compression is also only a problem for a very limited selection of musical genres. Anything pop/rock/dance/RnB/etc is fine.
I not sure I really get the point of this format. If MP3HD is 26mb per 4min, and a standard .Wav is 40mb per 4 min, you might as well just use .wav. At least with mp3s (roughly 4mb - 128kb, and 9mb 320kbs per 4mins) you had upto a 10x space save.
Over the next 5 years or so, as storage capacity on music players/PC's gets bigger and bigger, we're gonna start getting to the point where a tracks "compression rate" or whether it's "lossless" or not won't really matter.
@Martin - the 2003 remastered version of Pink Floyd's 'Money' was the original source for all 3 formats. http://fwd.five.tv/videos/sound-challenge-part-3
Thanks, I looked at the show. Typical of the media hacks - a totally random, meaningless result dressed up a "news". When will they ever learn about stastical significance? When will they understand about repeatable results? Still, as long as its entertainment, who cares, right?
The problem with that test (the same one with all of the gadget shows bias 'tests') is that they all own iPods - and given such time with a product people invariably get 'used' to the sound signature and believe it to be the best (which is why many people still think vinyl sounds best because that was their media source for 10 years+). The fact is that a decent CD source will obliterate any .mp3 bitrate in music quality (quality being as close to the original recording as possible).
Personally I hope the format fails, seriously we have 2 good FREE codecs in .OGG and .FLAC we don't need more to crowd a market or produce a new standard that companies have to pay royalties for as all that will do is increase the cost of the players.
@Keith - I agree 16bit 44100hz isn't exactly HD, though most people currently listen to all types of music at this rate or below. (I record at at least 24bit 96khz). This article and the Linked article only talk about "100% bit-exact replica of CD tracks" which are at 16bit 44.1khz, hence my comparison. No Mention of above this rate support as i can find....
@Gnormi: The fact is that a decent CD source will obliterate any .mp3 bitrate
Remember CD is digital too, with a current sampling rate of 44.1 kHz, even the current MP3 standard has 48 kHz, put OGG and Flac into the picture and these sampling rates are blown into the ground, of course you need to make sure you bitrate is up to scratch too, most people beleive 256 to be identical to CD quality so the extra in the 320 could be used for 48 kHz encoding, so if Gadget show had a 320 bitrate 48 kHz, then there is a very good chance it was better.
@pwackert, I see your point. But to me HD stands for Higher Definition, so in this case you would expect that to be also in the Sampling Rate, I'm not sure of what specification MP3 HD can go, I would assume higher than 48 kHz at least. I'm assuming the CD comparison was only meant to show the compression achieved as lossless bitrate, that in itself is not impressive even Apple's lossless achieves about the 50% rate.
FLAC is actually pretty well supported, but Apple has decided it doesn't wan it on iPods as it doesn't want it to compete with its Apple Lossless. Could you not get a FLAC lossless audio track and an MP3 audio track within a single MP4 container and get roughly the same effect? Most audio players can already read mp4 (m4a), so with a few tweaks this could easily be possible. I would prefer .mkv, but that would be less backward compatible.
Another proprietary format - no thank you. MP3 caught on because it had no DRM and was the best format available (size v quality) when MP3 downloading took off in a major way with the birth of Napster. Because most people have their music library on their computers as MP3s, and it is still pretty much the only format that works across all mp3 players.
MP3s only caught on because initially the royalty wasn't being collected and it was getting used basically as a free codec. Thomson then retrospectively started collecting the royalties.
MP3-HD won't stand a chance if it is being charged for upfront.
They must've been using a Bush turntable or something equally cheap and nasty. A £250 turntable will blow a £250 CD player out of the water with sound fidelity, and I believe from friends and fellow audiophiles with deeper pockets (say Linn) that carries on up the line. Mine's a Pro-ject Debut II.
I can see a studio crafted 320kbit MP3 (was it MP3Pro) beating the CD as lossy audio can work excellently - the Minidisc being the shining example. I was a huge sceptic 'till I actually heard a studio recorded Minidisc.
"Apple has decided it doesn't wan it on iPods as it doesn't want it to compete with its Apple Lossless."
I have seen zero promotion of Apple Lossless on Apple's part, so I find it hard to believe they are concerned about competition from FLAC. They don't even enable Quicktime's True VBR for iTunes so it's doubtful they have any plans for a big lossless push in the future. The fact is the majority of people I know have no idea what FLAC is, and those that do don't use it either because they can't be arsed to or they don't know how (or can't with their iPod). The last time I met someone with something other than an iPod was about 3 years ago.
"The last time I met someone with something other than an iPod was about 3 years ago"
I have never owned an apple product and probably never will. My mp3 player supports both OGG and FLAC but I must admit I use neither due to the fact that they're not universally supported. I don't want to have more than one copy of the same track so that I can play it on my phone/car/toaster...
This comment is hidden because you have chosen to ignore Geoff Richards.Show DetailsHide Details
I don't mean to start a war here, just provide some balance. I have never owned an iPod anything, and don't have any plans to either (though the non-music abilities of the touch do have some appeal).
Sure, iPods are extremely popular, but other MP3 players do exist, and their owners are not a poor underclass. Some of us are doing it by choice :)
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