Adobe Premiere Pro CS5 - Format Support

By James Morris



  • Recommended by TR
Adobe Premiere Pro CS5


Our Score:


Although the new Mercury Playback Engine is by far the most significant new feature in CS5, it does have some other enhancements. Even more video formats are now natively supported, including AVC-Intra 100 and AVCCAM, alongside 10-bit Digital Picture Exchange and XDCAM HD 50, which uses a Long GOP MPEG-2 structure and 4:2:2 colour.

Support for DSLR video has also been improved, including direct compatibility with video shot on the Canon EOS 5D Mark II and 7D, plus Nikon's D90, D300 and D3000. Performance with Red R3D digital cinema files has been enhanced, and HDV can be captured with scene detection, something formerly only available when using third-party hardware such as Matrox's RT.X2. You can import non-encrypted DVD video assets as well, finally. This now makes Premiere Pro CS5 one of the most format agnostic video editing apps currently available, although Avid's Media Composer 5 is running it extremely close.

The Ultra Key makes a welcome return, this time as a chromakeying filter available within Premiere Pro CS5 itself.

For those currently using other editing apps, Adobe has made switching to Premiere Pro that little bit easier. You can import and export to and from Avid using the AAF format, and Final Cut using XMP. Initially, this will probably be more useful if you want to use Adobe's other video related tools - Flash, After Effects and Encore - but you might get tempted to switch wholesale after trying Premiere Pro, too.

With a massively altered playback engine, it's not surprising that new filters and transitions are few and far between. However, there is one very important addition. The Ultra keyer, which was available as a separate app in CS3 but disappeared thereafter, now makes a return as a filter. The virtual set system available with the standalone software is missing, but the powerful keying technology is available again, providing much greater tolerance of unevenly lit and wrinkled backgrounds. The Ultra keyer is also accelerated by graphics hardware, so playback remains smooth even with HD footage.


August 9, 2010, 1:24 pm

Great review, thanks.

The improvements look great, but the graphics acceleration support is a bit disappointing! Even the old 7600GT nVidia cards support use as a GPGPU, it'd be a shame to not see video acceleration on the consumer-level kit, like the 9400m's in so many macbooks/mac minis.

James Morris

August 9, 2010, 1:48 pm

It is a little annoying, although there will allegedly be a wider range of supported cards as the software matures. I also tested on a system with a Quadro FX 1700 and that didn't supply hardware acceleration. I wonder if there's a feature on the newer GPUs which is required, or it could just be the age-old issue of driver/hardware qualification. With professionally-oriented applications, stability is more important than performance, so the range of hardware is limited to a small subset which there is time/budget to test thoroughly for accreditation.


August 9, 2010, 2:42 pm

Thanks James, your last point makes a lot of sense.

I'm running PrPro CS4 on a 2009 Mac Mini at the moment, and AVCHD editing is smooth, even though the 'auto quality' playback preview gives a few artefacts. Not really an issue, as I'm editing interviews, not Top Gear! I'm interested to see if they brought this acceleration to After Effects too - are you planning any more Adobe reviews from CS5?

James Morris

August 9, 2010, 3:00 pm

The acceleration does apply to After Effects CS5 too, although you'd need a supercomputer to make After Effects play back many of its capabilities in real time! Maybe one day. We don't have a review planned at the moment, but if there is sufficient interest... The other video apps haven't seen much change for CS5.


August 10, 2010, 7:29 pm

Hi James.

How does this latest version of Premiere compare to the two big hitters Avid and Final Cut Pro? Given the choice of a free copy of any of these three suites, which would you go for personally, and why?

McDermott Movies

August 11, 2010, 4:37 pm

I have been using Premiere for years and had actually become more and more frustrated with it. I stopped upgrading on CS3 as I lost confidence in Adobe. However, with CS5 I was impressed with the feature list and decided to give it one last chance. It has turned into a nightmare for me and I will never again cut a film on this program. Initially it appeared to work like a dream, but I have encountered glitch after glitch, with the helpdesk unable to offer any insightful advice to resolve my issues. The main problem has been with audio. I have been using the Panasonic SD700. CS5 coped with the video very well, top marks for this, but random glitches were heard in the audio that were not present on the source footage and which followed all the way through to output. I had to find a long winded work around that involved encoding all footage using Cineform. However, Premiere then presented another unexplainable problem - it would not inport any footage in Cineform codec over 4 minutes in length. I have since found another complex workaround for this. I am just about finished my latest film and will certainly never be returning to Premiere once again after this. There are more competent, reliable and professional software solutions out there.

James Morris

August 16, 2010, 6:37 pm

@colonelclaw I actually have free copies of Premiere Pro CS5, Avid Media Composer and Final Cut Pro, and the one I use regularly is Premiere Pro. However, this is in large part because I've been using Premiere since version 1.1. The latest version of Final Cut is excellent, and if I owned a decent Mac I'd be sorely tempted. I find Media Composer a little more difficult to get to grips with, but until the Mercury Playback Engine came along it was the most fluid PC editing app around in terms of scrubbing etc. The latest version of Media Composer also has similar video format compatibility to Premiere Pro CS5. With NVIDIA hardware, though, CS5 is the more fluid editing platform right now.

@McDermott Movies Sorry to hear about your problems. What video format did you shoot with the Panasonic SD700? Was it 50p? If so, this is a slightly unusual format, and not AVCHD. I do have some Panasonic 50p footage somewhere here I can try. But I've been editing all of TR's videos on CS5 for a couple of months now, and must say that it's the most stable, dependable Premiere Pro I've personally ever used. I'm mostly editing HDV footage.

Bob Dix Photographer

August 31, 2011, 2:50 am

Not equipped with Stabilizer is a big no, no. CS5.5 mercury engine in 64 bit on a i7 Quad Core 64 bit was sluggish compared with 32 bit Sony Vegas Movie Studio HD Platinum 11 and to use a legacy driver for HDV/mpeg-2 should not be needed, sent it back as it did not perform as good as Premiere Pro 1.5.1 for HDV which is 4 years old, nor did i think timeline operations with H.264 mov clips was that exciting. I'll think about it when the bugs are taken out, it is too sluggish ?What about an Video Stabilizer instead of having to invest in After Effects ?

comments powered by Disqus